藝術評論 Arts Review
202507 (49期)期所有篇
感知的反身性：當代臺灣藝術家的「田野」及其「他／祂者」思維 Perception Reflexivity: “Fieldwork” and the “Other/Supernatural Other” Perspectives of Contemporary Taiwanese Artists 國家機制、文本重組與後疫情節慶認同：噶瑪蘭治病儀式移轉、流動與再現 National Mechanisms, Textual Restructuring, and Post-epidemic Festival Identity: Transfer, Flow, and Reemergence of Kavalan’s Healing Rituals 香港反送中街頭塗鴉的政治意涵與轉變 The Politics of Graffiti as Traces in Time of Revolution: The Political Implications and Transformation of Graffiti in Hong Kong’s Anti-Extradition Movement 「陰魂不散」可視／聽化：《天涯海角》、《兩個只能活一個》的九七創傷情感與香港身分探索 Haunting Specters Visualized and Audible: Exploring 1997 Trauma, Emotional Politics, and Hong Kong Identity in Lost and Found and The Odd One Dies 融匯的視域：從跨媒介方法重新思考楊德昌的《恐怖份子》 The Vision of Convergence: Rethinking Edward Yang’s Terrorizers through an Intermedial Approach 生成式人工智慧的「攝影」：以〈偽記憶：電工〉為例 The “Photography” of Generative Artificial Intelligence. A Case Study of Pseudomnesia: The Electrician