官方論述下的「他者」:南越「解放」前的繪畫雕塑 The ‘Other’ under the Official Discourse: Paintings and Sculptures in the period around the ‘Liberation’ of South Vietnam
以社會衝突入戲——論溫芬巴賀的《判斷》與卡利斯的《缺口》的美學政治性 Theatre and Social Conflict: Political Aesthetics in Christine Umpfenbach’s Urteile and Nuran David Calis’s Die Lücke