見山又是山:約翰‧凱吉視覺藝術中的禪意 Mountains Are Again Mountains: The Zen Spirit in John Cage’s Visual Art
從破除鏡框、演員退場到沈浸體驗: 王俊傑在《萬有引力的下午》、《罪惡之城》與《索多瑪之夜》中展現的科技劇場形貌 From Demolishing Proscenium-Arch Stage, Disappearing Actor to the Immersive Experience: The Presentation of Techno-Theatre in WANG Jun-Jieh’s L'Après-midi de la Gravité , Sin City, and The Night of Sodom
東漢神獸鏡中的「伯牙彈琴」圖初探 A Study on the Image of “Boya Plays the Guqin” on the Deities and Animals Bronze Mirrors’ Ornamentation during the Han Dynasty
戰爭與愛情:話劇《秋海棠》、《風雪夜歸人》與《雲彩霞》的伶人隱喻分析 War and Love: a Metaphor Analysis of the Actors in the Plays “Qiu Hai Tang”, “Return on a Snowy Night”, and “Yun Cai Xia”