閱讀全文 | |
篇名 |
無法抗拒的轟動與行銷:雅妲‧愛賽克‧曼肯在十九世紀美國舞臺上、下的身體和性別展演
|
---|---|
並列篇名 | Irresistible Sensation and Marketing: The Body and Gender Performance of Adah Issacs Menken on the Nineteenth- Century American Stage and off stage |
作者 | 林雯玲 |
中文摘要 | "1861年6月初,雅妲‧愛賽克‧曼肯(Adah Isaacs Menken, 1835-1868)在一齣老掉牙的通俗劇《馬茲帕》(Mazeppa)中反串扮演劇名所指的男主角,以史無前例的驚險動作和「裸露」,給了美國紐約州州府奧巴尼市的觀眾一大震撼。在劇情高潮處,馬茲帕王子被敵人剝光衣服綁到馬背,然後馬匹往小山急奔而去。曼肯拋棄當時多數使用假人的習慣,親自上陣。更令人震驚的是,穿著肉色緊身褲的她看起來像是裸體。曼肯的《馬茲帕》造成極大的轟動,讓這齣戲不到兩個星期就能到紐約市演出,而後在美國各大城市巡演,並踏上倫敦和巴黎演出。短短四年內,曼肯成為歐美名人,並一度成為收入最優渥的女演員。 |
英文摘要 | "In early June of 1861, Adah Isaacs Menken shocked Albany, NY by performing a nude scene as the Tartar prince in Mazeppa, or The Wild Horse of Tartar. At the climax of each performance, the Tartar prince (Menken) was stripped naked by his captors and then tied to a wild horse, which would gallop up a mountain on the stage. Discarding the customary use of a dummy, Menken was strapped to the back of a real black horse. More astoundingly, she appeared “naked”, although actually wearing flesh-colored tights. Menken caused a great sensation and brought the show to New York City two weeks later. She soon toured to other big cities in America and afterwards to London and Paris with great success. Within four years, Menken had become a celebrity and for a period of time the most well-paid actress in America. |
起訖頁 | 035-073 |
關鍵詞 | 曼肯、《馬茲帕》、性別展演、身體展演、十九世紀美國女演員 |
刊名 | 藝術評論 |
期數 | 201501 (28期) |
出版單位 | 國立臺北藝術大學 |
DOI |
|
QR Code | |
該期刊 上一篇
| 印尼宮廷儀式舞蹈《貝多優》中的「身體行動方法」研究 |
該期刊 下一篇
| (明)精鈔彩繪本《太古遺音》的「指法手勢圖」在古琴譜中的價值意義 |