研究型藝術展覽實踐：以「藝海雁行」策展為例

Research-based Art Exhibition Practices: The Case of “Art Sea Geese” Curatorial Exhibition

策略思考是企業中不可或缺的核心能力，它扮演著關鍵的角色。企業需要制定正確的決策，以引領企業朝著目標前進。掌握決策的關鍵步驟，建立一個邏輯系統的決策能力，這些特質同樣體現在策展人於展覽策劃中所扮演的角色。本研究以「藝海雁行」展覽為案例，旨在深入探討臺灣藝術家林天瑞和林勝雄的策展實踐。研究範圍包括臺灣研究型展覽史和研究型策展理論的應用，將展覽設計運用於兩位藝術家對臺灣展覽史的影響和意義。此外，經由策展人的訪談，深入探討「藝海雁行」展覽的實際操作過程。在展覽實踐過程中，包括早期作品、對照組作品、速寫作品、視廳室和史料所展示的內容，透過全面展開作品創作軌跡之風貌，彰顯了兩位藝術家間深厚的兄弟情誼。研究結果顯示，研究型策展理論在臺灣藝術學術領域扮演著極為重要的角色，並對臺灣美術研究的發展做出了重要的貢獻。

Strategic thinking is an essential core competency that plays a key role in business. Businesses need to make the right decisions to guide them towards their goals. Mastering the key steps of decision-making and building a logical system of decision-making are qualities that are also reflected in the curator’s role in exhibition planning. Taking the exhibition “Wild Geese on the Sea of Art” as a case study, this research aims to examine the curatorial practices of Taiwanese artists Tian-Rui Lin and Sheng-Xiong Lin. The scope of the study includes the history of research-based exhibitions in Taiwan and the application of research-based curatorial theories to apply exhibition design to the impact and significance of the two artists on the history of exhibitions in Taiwan. In addition, through interviews with the curators, we will explore the actual operational process of the exhibition “Geese Traveling on the Sea of Art”. In the course of the exhibition, the contents displayed in the early works, the control group, the sketches, the video room, and the historical materials, through the comprehensive development of the trajectory of the works, highlight the deep brotherhood between the two artists. The results of this study show that research-based curatorial theory plays an extremely important role in the academic field of art in Taiwan and has made significant contributions to the development of art research in Taiwan.