「多音交響」風格與創作：論鍾肇政《怒濤》之語言觀

The Creative Style of“Multi-tone Symphony”: Chung Chao-Cheng’s Language Viewpoints in“Furious Waves”

本文主要探討鍾肇政小說《怒濤》所涵的語言觀與文學風格。首先確認鍾肇政的語言認同為客語。其次再以語言認同為標準，梳理《怒濤》中不同角色與群體的相互關係。再者，從《怒濤》的結局向前回溯，對小說的重要情節做出詮釋。最終，本文推斷鍾肇政的語言觀為：語言作為一種載體，可以與所承載的內容分開。因此，日語在臺灣的消亡，並不會使臺灣喪失《怒濤》中青年知識分子的價值理想，即使這些價值理想是藉由日語以習得。

This paper discusses the language viewpoints and the literary style of ChungChao-cheng's 'Furious Waves'. First, I discuss the linguistic identity of ChungChao-cheng, that is, Chung Chao-cheng thinks that his own language is Hakka.Second, by the linguistic identity, I classify the characters in 'Furious Waves' intoseveral groups, and discuss the interaction between different groups. Third, throughthe end of 'Furious Waves', I further interpret the storyline of 'Furious Waves'.Lastly, I discuss that content and language can be separated for Chung Chao-cheng.Therefore, even the innovative ideal is introduced into Taiwan in Japanese, Taiwanintellectuals can stick to the ideal after the decline of Japanese in Taiwan.