論當代貂蟬故事之敘事差異及其形象新變——以《三國異俠傳》及《火鳳燎原》為例

The Case Study of “Sanguo Yi Xia Chuan' and “The Ravages of Time” : The Narrative Differences and Imaginative Transformation of Diao Chan in Modern Era

《三國演義》裡的「連環計」向來被視為古代「美人計」展演之佳例。傾城之貌的貂蟬，如何憑藉一己之「魅」力，徹底摧毀董卓及呂布的權力核心，向是小說家著力描寫的重心。本文欲以當代華人文本蕭玉寒的武俠小說《三國異俠傳》及陳某的三國漫畫《火鳳燎原》的貂蟬故事為跨文本的考察對象。他們在敘事上除了有別於《三國演義》之外，其貂蟬形象也有了質的變化。本文希望能藉此觀看兩者對於「前文本」如何承衍、補充及解釋，另一方面也觀察他們看待歷史的方式，及在新語境之下的意義，以收並置比較之效。 In Three Kingdoms, lianhuanji was seen as a good example of badger game in ancient. Novelist tried hard to describe how did the beautiful female Diao Chan use her charm to destroy the core power from Dong Zhuo and Lu Bu thoroughly. Beauty, power and history event were the most attractive creation material. This study took Diao Chan from the martial novel 'Sanguo yi xia chuan' by Xiao Yuhan and comic book 'The Ravages of Time' by Chenmou as a cross-text object. Their storytelling was different from 'Three Kingdoms' and shaped different imagination for Diao Chan. This study tried to research how did 'Sanguo yi xia chuan' and 'The Ravages of Time' inheritance, supply and explain the pre-text. This study also observed how did they see the history and compare them under the new context.