- 莊臻鳳〈蝶庵琴聲十六法〉對徐谼〈谿山琴況〉之承襲與轉化 The Inheritance and Evolution of ‟Diean Sixteen Rules for the Tones of Qin” from ‟Xishan Qin kwuan” (24 Epithets on Guqin Music)
- 「說話優先」:卡契尼《新音樂》朗誦風格探源 “La musica altro non essere che la favella…”: Tracing Sources of Declamatory Style in Giulio Caccini’s Le Nuove Musiche
- 不確定性的理性特徵初探:以約翰・凱吉〈鋼琴獨奏〉為例 A Preliminary Investigation of Rational Features of Indeterminacy— Taking John Cage’s Solo for Piano as an Example
- 皮耶・蘇拉吉的「在黑之外」,巴迪歐「無限」概念的實踐場域 Pierre Soulages’s “Outrenoir”, A “Work of Truth” Which Accesses “Infinity”
- 視死若死:論波東斯基作品中的記憶創造 Seeing Death as Death: On Memory Making in the Art of Christian Boltanski
- 巫者的敘事術:從「散文」到「咒文—影像」的思辨 The Narrative Techne of the Shaman: The Speculation of " Essay " and " Incantation-Image"
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