- 一齣自我的演出:論維德志執導克羅岱爾之《緞子鞋》 A Representation of Self: On Antoine Vitez’ Mise en Scene of Paul Claudel’s The Satin Slipper
- 從暗房到明室:「流變為女人」,土方巽與羅蘭.巴特的感性部署和戰爭機器 From “Camera Obscura” to “Camera Lucida”: “Becoming-women”— Sensitive Arrangement and the War-machine of Tatsumi Hijikata and Roland Barthes
- 弓形器的發現與「和」鈴考證 The Discovery of the Bow-shaped Objects and the Research of the “Hé” Bells
- 一部音樂舞臺劇之後的沉思:關於當代原住民音樂研究 Contemplation Aroused by a Musical: On Studies of Contemporary Aboriginal Music
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