德勒茲／瓜達里概念之啟示性：從波蘭華沙國際蕭邦鋼琴比賽看音樂世界的「極峰群落」

The Revelation of Deleuze/Guattari’s Theories: A Climax Community in Music World Formed by the International Chopin Piano Competition, Warsaw, Poland

在波蘭華沙舉行的第十八屆國際蕭邦鋼琴比賽，經過嚴謹的歷程之後，於2021年10月圓滿落幕。此音樂事件透過數位媒體曝光並產生了熱烈的群眾交流，在古典音樂界形成了一個少見的「極峰群落」，箇中「疆域」、「重複」與「差異」等意象是甚為顯著的現象，同時呼應法國哲學家德勒茲與瓜達里或形上、或美學觀點探索下的概念。本研究透過對2021年蕭邦大賽的現象觀察，從「音樂疆域的形塑」、「根莖的力量與差異的回返」、以及「音樂宇宙性的證成」等面向，回應、探討與批判德勒茲／瓜達里的概念。除了提點其理論盲點，亦為此音樂事件注入另類思考，賦予德勒茲式的啟發性意義。

 

The 18th International Chopin Piano Competition, held in Warsaw, Poland, came to a successful conclusion in October 2021 after a rigorous selection process. This music event was broadcast on digital media and generated lively exchanges, forming a rare "climax community" in the classical music world in which "territory,” "repetition," and "difference" describe significant phenomena, and echo the theories developed by the French philosophers Gilles Deleuze (1925-95) and Pierre-Félix Guattari (1930-92), either metaphysically or aesthetically. Through detailed observation of the Chopin Piano Competition in 2021, this research responds to, discusses, and criticizes Deleuze/Guattari’s theories from the perspectives of "the shaping of musical territory," "the power of rhizomes and the return of difference," and "the justification of the cosmic nature of music." In addition to bringing out some theoretical blind spots, the author also injects alternative thinking into this musical event, endowing it with Deleuzian enlightenment.