竹久夢二的人偶製作活動：探討夢二藝術觀及創作理念

Yumeji Takehisa's Doll-making Activities：Exploring Yumeji's View of Art and Ideas about Arts Creation

本文探討大正時期代表畫家竹久夢二與其所率領的「DONTAKU 社」成員如何製作人偶，並分析其人偶之特徵，透過這些人偶作品的特徵，來窺視竹久夢二一貫的藝術觀。此外，本文也藉由竹久夢二製作人偶前後一連串的藝術活動，探討竹久夢二對藝術創作懷抱的理念，特別是以在人偶展覽會「寄託給雛人形的展覽會」成功落幕三個月之後的「榛名山美術研究所」建設計畫，闡明竹久夢二在人偶製作活動背後潛藏的真正目的。

This paper aims to explore how Yumeji Takehisa who was a representative artist of Taisho era and the members of DONTAKU-sha led by Yumeji made dolls. It is the researcher's attempt to analyze the features of dolls. The study also investigates Yumeji's perspectives of arts through the characteristics of dolls. Next, this research discusses Yumeji's ideas about art creation by means of the art events before and after the making of dolls. Most specifically, the researcher reveals Yumeji's real purposes of doll making through a successful exhibition, Hina Ni Yosuru Tenrankai and a project called Haruna-san Art Institute established three months after the exhibition.