漫畫秩序的歷史進程及其意向：以台灣經驗為例

The Order of Manhua%2C Its Process and Intention: A Historical Review of Taiwan Experience

本研究以歷史比較的方式，考察漫畫活動在台灣社會上從無到有、至穩定而發生變遷，如何具有特定的秩序？秩序的形成與變遷有怎樣的意涵？研究發現，漫畫秩序是從他律轉向自律，從被給定的到自主建構。政治、經濟這兩大正當性來源，長期佔據了漫畫活動的優先位置；但這樣的排序，逐漸轉向以行動者本身對漫畫創作的認同為正當性，政治、經濟反而成為漫畫活動的輔助對象。在這些基礎下，漫畫活動在台灣社會上發展出其主體性，催生出「以漫畫為志業」的人文氣象。

The aim of this paper is to examine how Manhua activities in Taiwan society developed its own order， and the meaning of its forming and transition. Throughhistorical comparative analysis， this research finds that， the order of Manhua activities in Taiwan society changes from heteronomy to autonomy. From the rising (1895) to 1990s， Manhua activities had the sources of validity depended on political and economical purposes; afterwards， the identification of Manhua creativity had gained its importance， and became a new trend of order. In this way， Manhua activities developed its subjectivity in Taiwan society， and opened up a humanistic order which takes Manhua as a vocation.