論東坡詠物詞意象之開拓-以詠梅、詠荔枝為例   免費試閱

A Discussion of the Exaggerated Images in Dong-Po's Object Chant Lyrics－Illustrated using the Plum Blossom and Litchi Chants

本論文以東坡歌詠數量最多的7首詠梅詞，以及別具諷諭意義的2首詠荔枝詞為探索文本，探討其詠物詞意象對前輩詞作的承與變，具體觀察出東坡以前詠梅詞不出愛花惜春、懷鄉憶友等普泛化的意象。而東坡詠梅詞中，有2首承繼此普泛化的情意書寫，其餘5首皆能掌握梅異於眾芳之凌霜傲骨而表現以高潔譬喻友誼、自喻人格或譬喻朝雲等具個性化之意象；而其詠荔詞，則能借鑒歐陽修藉詠貴妃嗜荔虐民之史事以議政的手法，委婉地提醒當權者宜體恤民命，也巧妙地藉一己之悠閒嚐荔以諷刺當局對他的迫害，深具諷諭性。由此具體見出東坡詠物詞在個性化與諷諭性意象方面的開拓之功。

In this article, we consult the inherited and distorted images in Dong-Po's object chant lyrics based on his seven chants about plum blossoms and two allegorical litchi chants. This study finds that the plum blossom chant lyrics written before Dong-Po are full of universal images, such as loving flower, cherishing spring, nostalgia, or missing a friend. However, in Dong-Po's lyrics, though two chants inherit their style from those universal images, the other five use the characteristic image of a plum's unyielding character as the metaphors for the purity of friendship, personality, and Chao-Yun. Additionally, in the litchi chant lyrics, Dong-Po borrowed from history the story of a former emperor's tyranny in Yuhuan Yang's Litchi-loving, euphemistically reminding the current emperor to be good to the people. Furthermore, Dong-Po also satirizes the persecutions he suffered from authorities in a portrait of him enjoying litchis. Thus, we can concretely determine the contribution of exaggerating the characteristics and allegoric images in Dong-Po's object chant lyrics.