日本版的「愛麗絲夢遊仙境」－－析論宮崎駿動畫「神隱少女」的視覺創作意涵

Japanese version of 'Alice in Wonderland' - Analyzing the visually creative significance from Miyazaki Hayao animation 'Spirited Away'

本論文闡述《神隱少女」的視覺元素意涵（包括鬼魅、油屋造形及女孩形象）和視覺創作敘事結構。《神隱少女」影片中視覺符號的斷裂和跳躍，戲劇的昇華，擬象的對比成功的營造出神鬼、油屋、千尋的造型。也帶領觀眾深思大量物質慾望帶來的無形殘害，錢財罪惡的淵藪，那一幕駭人驚悚的由人變豬畫面早已烙入人心，成為深刻的警世寓言！《神隱少女」在美國獲得奧斯卡金像獎最佳長篇動畫，在歐洲更一舉奪下柏林影展金熊獎，這是史上首次有動畫片獲此殊榮。這齣日本版的《愛麗絲夢遊仙境」，透過虛擬的人物場景，在如夢似幻的神祇國度建構出一齣東方神秘色彩的幻想故事。兼顧藝術及商業性，《神隱少女」在視覺創作締造諸多優點，充分發揮教育和批判反思意味。

Splintering and jumping around, dramatic sublimation and simulacrum contrast from the visualized symbols within the film of 'Spirited Away' successfully create and sharpen the modeling for gods and devils, oil house and Chian Shuen which also led the audiences into rumination the invisible damages brought by massive material lusts, the origin of monetary riches and sins. The frightening scene that human transformed into the pig left an indelible image in the minds of many which had already become an intensive and profound cautionary fable.In this Japanese version of 'Alice in Wonderland', it managed to create and construct an imaginary story with oriental mystics in the dreaming and god's domain which balanced between artistic taste and commerciality. Therefore 'Spirited Away' consummated with plenty of advantages in the domain of visual creation, and amply displayed the significances in the perspective of education as well as rebellious reflection.