虛擬的符號－－以「虛擬偶像」影片為例解說布希亞的擬象超真實主義

Simulated Symbol - Using the Film「Simone」as Example to Narrate The Baudrillard's Hyperreal Of Simulacra

根據布希亞(Jean Baudrillard)的擬象次序(the order of simulation)：(1)符號(signs)是基本真實(reality)的反映。(2)符號遮蓋、扭曲基本事實。(3)符號遮掩了基本真實的缺席。(4)符號與真實之間沒有任何關係。當世人透過導演維持擬象符號的操作，所建構出的席夢形象。在社會龐大能量的運用中，操作性意義已經取代真實意義，席夢就成為一個超級真實(hyperreal)的席夢。本文旨在闡述布希亞「擬象的超真實主義」曾指出現實世界中，電視電腦影像的符號內容所形塑出的世界即是真實。這種真實不僅取代原有之真實，更超越了它。在經濟及社會的高度發展中，後現代主義已成為「擬象」(simulacra)文化。並以電影《虛擬偶像」(Simone)來闡述布希亞的擬像概念：擬象的運作和符號與真實的關係。並說明媒體興盛導致人心遠離經驗的本質、人類無法脫離人際關係的一環以及電影創造出強化級的昇華－衝擊(shock)。在不自覺中，擬象超真實主義使虛擬偶像在全球成形，在衝擊中內化成具體的信念。

According to the order of simulation from Baudrillard, they are (1) Signs is the reflection of reality; (2) Symbol covers and distorts the reality; (3) Symbol covers the absence of reality; (4) Between symbol and reality, there exists no relationship.When people can establish Simone's image through simulated symbol operation by the director, Victor, and under the massive energy generated from societal operation, the meaning from operation itself has already replaced the actual significance, thus, Simone has become a hyperreal Simone.The purpose of this thesis is to expound what has been pointed out in Baudrillard's hyperreal of simulacra, which is that, within the real world, the symbols created by television and computer images formulate the truth of world. And this type of truth not only substitutes the original truth, but also supersedes it. In highly developed economy and society, the postmodernism has already become the culture of 'simulacra'. And those relating to what this thesis intends to use Baudrillard's hyperreal of simulacra to narrate the movie-《Simone」, represents the true relationship between the operation of simulation and the symbol. In addition, this thesis also illustrates that the rise of the media would result with the essence of human mind's distancing away from the experience, humans unable to cut off from being part of the interpersonal relationship and the shock which is the strengthened version created by the movie. Without knowing it, the hyperreal of simulacra enables the simulated idol image being formulated globally and internalized into concrete belief among conflicts.