論書道理想之追求－－兼以道家莊子哲理為思考

Pursuit Of The Supremacy Art Of Chinese Handwriting–From The Philology Of Zhuang Zhou

本文審視中國書法藝術精采紛呈、書藝的傑作各有其耀眼的時代特色。首先探討習書者於臨摹取法外，應如何提升其豐富生命性及純藝術美感境界的追求，此乃其重要的思考。而一位偉大的書家受中國傳統文化之影響，豐富了書法藝術的美學思維，多所涵養心境觀照和體察的修養功夫，書家內化入帖、出帖、不成「書奴」的傑出表現，留予後世豐厚的寶藏，本文對書法、書藝從正統之觀念予以分析、比對和定位。其次，本文進一步拈出道家中的代表人物之一莊子，他的美學內涵意蘊人的天性與天地萬物相通，自然、無為之道對於書道創作者企向藝術至美化境，有所提醒，本文並以側重莊子之美學哲思，希冀對習書者於書道的理解及對書道理想的追求有所裨益。

The Chinese handwriting arts in all Chinese dynasties were the reflections to the glory of the culture, the handwriting artists were inspired by the Taoism aspects from Zhuang Zhou’s philology, from the sophisticated details through the skills were outstandingly performed the ultimate profound Chinese culture. Zhuang Zhou’s points are concentrated to the mental beauty and the spirit of improving the skill through the philology, encouraging the liberty of writing arts, finally the climax of art, and the guidelines to Chinese handwriting art.