陳黎詩歌中神話傳說素材的想像與運用

The Imagination And Application Of Raw Materials In Myths And Legend Of Chen Li's Poetry

當代從事詩歌寫作者，無不極盡其能追求形式與風格的創作與變化，陳黎（1954—）是其中一位風格多變，而且擅於融鑄本土與前衛於一爐，無論是在運用各種理論，或是在內容方式，其求新求變的創作精神，早已獲得詩壇的肯定。本文從重寫的角度，探究陳黎詩歌如何使用台灣原住民神話傳說題材創作，在既有的文化意涵之外，又賦予重寫的神話傳說何種意義。本文探討的作品主要集中在〈神話八行〉、〈福爾摩沙．一六六一〉、〈白鹿四疊〉和〈在島上〉等。

The modern writers in poetry are mostly pursue the creation and change in the from and style only, Chen Li (1954-) is different and good at integrate local and forward in one piece, whether in apply theory or in contents, he pursues new and change, has won many positive response in poetry group. This paper from the angle of rewriting to study Chen Li's poetry and how he apply the materials of the myths of Taiwan aboriginal to create poetry, base on the original literature content, to impose new meaning. and apply the modern theory to analysis Chen Li's poetry to understand how the writer was trying to create his personal beauty of poetry. This paper is concentrate in (白鹿四疊).